前段時間，《阿凡達》熱播，一票難求，它不僅開辟了電影3D技術(shù)的新天地，也帶給了人們劃時代的視聽感受，唯美的叢林大樹夜景.跨越一切的愛情, 以及感動的最后一搏,像是原始社會和科技時代的大戰(zhàn). 可憐那些無辜無力卻勇敢的潘多拉星球的藍(lán)人們. 人類的貪婪自私與自大妄為在影片里暴露無遺.好在結(jié)尾給我們一個歡喜的場景。

　　The Sacred Feminine is alive in Pandora. Interestingly, Pandora is the name of an ancient Goddess later disempowered and demonized by patriarchy, which considers Pandora the bestower of all evils by releasing them out into the world. However, the etymology of the word Pandora reveals a more ancient understanding of this Goddess, meaning "all-giving." And according to Janne Ellen Harrison, a British classical scholar, "Pandora rises from the earth; she is the Earth, giver of all gifts."

　　Pandora is a planet inhabited by The Na'vi, a Goddess based civilization. Their ultimate deity is female, Eywa, the Great Mother. Naturally, their spiritual leaders are female figures, Priestesses, empowered women in communion with this divine energy. Women are able to express their own power beyond the confines of what we consider feminine, this is full embodiment of fierce feminine expression. The scientist's ultimate confession of dwelling in the deity is revealing. She said "I am with her, SHE is real." She dies in this recognition and is only able to truly see and accept the sacred in her death as her veil is lifted when she returns to source. The Na'vi don't need to wait until death to feel this connection."